In the Line of Fire (1993)
Clint Eastwood might be known for playing grizzled, hard-as-nails lawmen, but in our In the Line of Fire (1993) Review, he takes things in a different direction, just slightly. This week, the Born to Watch crew dives into this overlooked 90s political thriller that pits Eastwood’s aging Secret Service agent Frank Horrigan against one of cinema’s most memorable villains: John Malkovich as the terrifying Mitch Leary.
Whitey, G-Man, and Will “The Worky” are in studio to unpack the deadly game of cat and mouse that unfolds in Wolfgang Petersen’s taut, tense, and occasionally trope-heavy flick. What follows is a mix of movie breakdowns, personal throwbacks, accidental roastings, and a bold declaration that Malkovich might just rival Hannibal Lecter as one of the great screen psychopaths.
Eastwood: Still Got It (But Also, He’s 63)
Gow calls Eastwood’s performance “Dirty Harry with a blue pill next to the bed.” Whitey thinks it’s flirty, even charming, a rare side of Clint. Will just seems shocked that he’s now the Born to Watch Eastwood expert. The team debates whether Frank Horrigan is one of Clint’s best post-Unforgiven roles or just another iteration of his go-to tough guy with a badge and a haunted past.
Gow calls Eastwood’s performance “Dirty Harry with a blue pill next to the bed.” Whitey thinks it’s flirty, even charming, a rare side of Clint. Will just seems shocked that he’s now the Born to Watch Eastwood expert. The team debates whether Frank Horrigan is one of Clint’s best post-Unforgiven roles or just another iteration of his go-to tough guy with a badge and a haunted past.
Malkovich: BAFTA Noms, Creepy Vibes, and a Murderous Basement
John Malkovich steals the show as Mitch Leary, a former CIA assassin with a grudge, a creepy lair that looks suspiciously like Buffalo Bill’s basement, and a habit of tormenting Clint over the phone. His calm delivery, terrifying intensity, and sheer unpredictability earned him an Academy Award nomination and earned our crew’s unanimous praise. The guys marvel at his screen presence, his range, and yes, his mysterious career choices.
John Malkovich steals the show as Mitch Leary, a former CIA assassin with a grudge, a creepy lair that looks suspiciously like Buffalo Bill’s basement, and a habit of tormenting Clint over the phone. His calm delivery, terrifying intensity, and sheer unpredictability earned him an Academy Award nomination and earned our crew’s unanimous praise. The guys marvel at his screen presence, his range, and yes, his mysterious career choices.
’90s Tropes and Why We Love Them
The gang agrees: In the Line of Fire is soaked in ‘90s action movie tropes, and that’s not a complaint. From overbearing chiefs of staff and cheesy one-liners to conveniently timed sniper reveals and romantic subplots with massive age gaps, the movie wears its era on its sleeve. Renee Russo’s chemistry with Clint is questionable at best, and her role sparks a deep (and hilarious) debate about whether she’s “a good sort” or a “right-light good sort.”
The gang agrees: In the Line of Fire is soaked in ‘90s action movie tropes, and that’s not a complaint. From overbearing chiefs of staff and cheesy one-liners to conveniently timed sniper reveals and romantic subplots with massive age gaps, the movie wears its era on its sleeve. Renee Russo’s chemistry with Clint is questionable at best, and her role sparks a deep (and hilarious) debate about whether she’s “a good sort” or a “right-light good sort.”
Clint’s Dating Age Gap: A Cinematic Tradition
With Eastwood at 63 and Russo at 39, the romantic tension raises eyebrows. “She’s two years younger than his daughter,” Whitey points out. “It could’ve been a father-daughter thing.” The conversation doesn’t stop there; it spirals into references to Seinfeld, Once Upon a Time in Hollywood, and Monty Burns.
With Eastwood at 63 and Russo at 39, the romantic tension raises eyebrows. “She’s two years younger than his daughter,” Whitey points out. “It could’ve been a father-daughter thing.” The conversation doesn’t stop there; it spirals into references to Seinfeld, Once Upon a Time in Hollywood, and Monty Burns.
Cat, Mouse, and Jazz Piano
This movie isn’t just about bullets and bravado — it’s got emotional weight too. Frank’s regret over JFK’s assassination adds gravitas to the plot, and the constant tension between him and Leary plays out over landlines and cassette recorders. The team loves the phone calls, the psychological warfare, and yes, Clint’s real-life jazz piano skills.
This movie isn’t just about bullets and bravado — it’s got emotional weight too. Frank’s regret over JFK’s assassination adds gravitas to the plot, and the constant tension between him and Leary plays out over landlines and cassette recorders. The team loves the phone calls, the psychological warfare, and yes, Clint’s real-life jazz piano skills.
IN THIS EPISODE:
- Eastwood’s “grizzled flirt” energy gets rated
- Malkovich’s villain performance gets compared to movie greats
- The trailer’s original JFK-themed edit sparks a nostalgic digression
- ‘90s newsagents, porno mags, and the glory days of inside sport magazines
- Damo cops heat in the Snobs Report beef from a random footy guy
It’s a movie about obsession, redemption, and running beside the presidential limo at 60+. It’s also a conversation packed with pop culture tangents, Eastwood trivia, and plenty of digs at Morgs (who’s nowhere to defend himself).
LISTEN NOW on Spotify, Apple Podcasts, or wherever you get your pods.
Join the conversation:
- Is In the Line of Fire Clint’s last great performance?
- Did Malkovich deserve the Oscar?
- Is 63 too old to be jogging beside the president’s car?
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