Mannequin (1987)
In this week's Born to Watch episode, Matt and Damo dive into a quirky 80s classic that inspired guilty pleasure rewatches and dreams of window display romance: Mannequin (1987). Join the guys as they reminisce about how Kim Cattrall's Emmy and Andrew McCarthy's Jonathan brought a spark of movie magic into their lives. From Matt's pre-teen obsession with Kim Cattrall to Damo’s confusion over the movie’s inexplicable ancient Egyptian backstory, no stone is left unturned in this Mannequin (1987) Movie Review.
Released on February 13, 1987 (nearly 38 years to the day!), Mannequin tells the story of Jonathan Switcher, a struggling artist whose life takes an unexpected turn when his mannequin creation comes to life. Played by Cattrall, Emmy is the dream girl in window dressing form—literally. The duo's escapades in a struggling department store are filled with over-the-top characters, 80s montages, and laugh-out-loud moments, making this film a surreal yet iconic time capsule.
As the hosts explore the nostalgia factor, they note the undeniable charm of Andrew McCarthy, a quintessential Brat Pack star. Damo points out that McCarthy's relatable, down-on-his-luck artist is impossible to hate—even when dragging a mannequin around town in plain sight. Kim Cattrall, meanwhile, exudes charisma, foreshadowing her future role as the fearless Samantha in Sex and the City.
Of course, the conversation wouldn’t be complete without a nod to Mannequin's over-the-top supporting cast. James Spader shines as a sniveling antagonist, while G.W. Bailey (aka Captain Harris from Police Academy) essentially reprises his role as a bumbling authority figure. And then there's Hollywood Montrose, played by Meshach Taylor, whose flamboyant energy adds humour and heart to the film.
The soundtrack gets its due praise, with the guys singing the praises (literally) of Starship's Oscar-nominated hit, "Nothing's Gonna Stop Us Now." Fun fact: the song became one of the biggest singles of 1987, topping charts in both the U.S. and U.K. Yet despite its commercial success, Mannequin was panned by critics. Matt shares a particularly brutal review from Roger Ebert, who described the film as “dead.” Still, Damo counters with evidence of Mannequin's enduring appeal: a 46-week theatrical run and a cult following that persists today.
The team breaks down the movie’s highlights and low points in the Good, Bad, and Ugly segment. The guys rave about the film’s outrageous opening scene set in ancient Egypt, complete with comedic subtitles. However, they can't help but cringe at questionable plot points—like the inexplicable romance centered on store displays and a climactic Benny Hill-style chase through the department store. And let's not forget the scene that drove Damo to rage: Andrew McCarthy casually tossing away a perfectly good choc wedge!
Throughout the episode, Matt and Damo strike a balance between affectionate nostalgia and merciless critique. They reflect on how Mannequin epitomises the era’s campy charm while acknowledging that its caricatured characters and absurd premise could never fly in today’s world of high-concept blockbusters.
So, if you're ready for a stroll down 80s memory lane filled with synth scores, big hair, and mannequins that spring to life, this episode is for you. Tune in for laughs, trivia, and some wild tangents about department store nostalgia, robot brothels, and Wilford Brimley’s ageless face.
Don’t miss this blast from the past! Listen now on your favourite podcast platform.
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